Left-Handed Girl Review: BFI London Film Festival 2025

Three generations of Taiwanese women find their fortunes in Left-Handed Girl What does a filmmaker do next after sweeping the Oscars? For American Sean Baker…

Springsteen: Deliver Me from Nowhere Review LFF 2025

Jeremy Allen White’s Bruce Springsteen biopic digs in to the artists demons One of the hardest working men in rock and roll, Bruce Springsteen’s music…

Roofman review: BFI London Film Festival 2025

Channing Tatum plays a robber with a heart of gold in Roofman Army veteran Jeff Manchester (Channing Tatum) is a nice guy, really. He’s kind…

The Secret Agent Review: BFI London Film Festival 2025

The Secret Agent’s opening scrawl playfully refers to its setting – 1970s Brazil – as ‘’a time of great mischief,’’ a dramatic understatement for the…

Anemone Review: BFI London Film Festival 2025

Three time Oscar winner Daniel Day-Lewis returns to acting with Anemone Anemone marks a return for Daniel Day-Lewis – his first acting role in 8…

Frankenstein Review: BFI London Film Festival 2025

Guillermo Del Toro reanimates a classic monster in Frankenstein Is there a more perfect film/director pairing possible than Frankenstein and Guillermo Del Toro? The Mexican…

The Mastermind Review: BFI London Film Festival 2025

Josh O’Connor thinks he’s planned the perfect crime in The Mastermind J.B (Josh O’Connor) is an unemployed carpenter in early 1970s New England. His parents…

After the Hunt Review: BFI London Film Festival 2025

The latest from Luca Guadagnino, After the Hunt is a dark and twisty tale about misconduct in academia Alma (Julia Roberts) is a leading professor…

H Is for Hawk Review: BFI London Film Festival 2025

A grieving woman channels her sadness into falconry in H Is for Hawk H Is for Hawk left me slightly cold, but that is perhaps…